Thank you for the insightful and detailed replies. I've been fascinated by the samorodok technique since reading about it years ago in relation to Russian imperial crafts. I love the contrast of the 'natural state' silver crafted into an elegant form.
AG2012 wrote: ↑Fri May 19, 2023 9:07 am
The technique to create this effect is quite easy; you take a sheet of silver and heat it with the jeweler`s torch slightly beyond red colour. The surface will start wrinkling.
Forgive my ignorance in the field of silversmithing but I assume you form the item after heating and cooling the sheet to achieve the samorodok patterning? How do you preserve the surface when forming the final piece? None of the samorodok pieces I've seen have blemishes or areas where the finish appears marred by tongs, hammers, or other tools. How would you later go about achieving a smooth surface such as the inscribed lip on this glasses case? Can the nugget patterning be planished or filed down to a mirrored finish?
Qrt.S wrote: ↑Fri May 19, 2023 2:38 am
The case is made by Kultakeskus Oy in the town of Hämeenlinna in 1965.
May I ask how you determined the maker and mark? Is it just your familiarity with smiths and marks? You truly are an encyclopedia based on all of your posts I've read.